Ida Lawrence’s ‘narrative paintings’ combine text, images and patterns to tell stories of (mis)understanding, (dis)connection, generosity, failure and surprise. Lawrence draws upon small observations, tiny gestures and subtle feelings that the artist has experienced or imagined in the places she has lived: Australia, Indonesia, and since 2019, Germany.

Lawrence enjoys playing with the ‘visual language’ of painting, or the way in which images can have multiple meanings and an awareness of the ways a painting is made, including its ‘abstract’ and painterly qualities, and the way these can contribute to or subvert the story being told.

Often presented with a mercurial charm, the construction process (or illusion of it) remain visible in Lawrence’s work, as layers of paint build up amidst hurried brushstrokes.   In the case of A Bigger Misha, the surface of the painting is interrupted by gash marks and two cut outs-these silhouettes create a three-dimensional surface , an aspect that is amplified by its immersive installation.

About the Artist

Ida graduated from the National Art School in Sydney in 2009 before completing Honours at Sydney College of the Arts. She studied dance with the Darmasiswa Scholarship at the Institut Seni Indonesia, Yogyakarta. She was a 2022-2023 participant in the BPA// Berlin program for artists and received the 2022-2024 Marten Bequest Scholarship for Painting from Creative Australia. Ida often collaborates with other creatives and is a member of Woven Kolektif, a group of artists who were first brought together in 2017 by their shared diasporic connections to Indonesia, and who continue to work together on a wide range of creative projects.