Architecture Inspired Printmaking with Vanessa Lombardo

Coming Soon

About the class

Inspired by the stark beauty of Brutalist architecture, this hands-on course introduces students to the creative possibilities of Tetra Pak plates in intaglio and relief printmaking.

Using salvaged carton materials, you’ll experiment with texture-making techniques like sanding, scraping, slicing, and indenting to build your plate’s surface. You’ll then explore inking and wiping methods to bring out bold lines and tonal contrasts, with the option to add expressive colour through chine collé.

This process-focused course celebrates both precision and play. You'll learn to run your plate through the press to reveal rich, dramatic prints that balance structure with spontaneity.

Perfect for beginners or those looking to try a sustainable printmaking method, this class offers a strong foundation in intaglio using accessible materials—opening the door to future creative exploration.

What to bring

  • Full-sized apron

Building Accessibility

Walyalup Fremantle Arts Centre is a heritage-listed building with access limitations. While there are no lift facilities within the main building, the ceramics studio is wheelchair accessible.

We acknowledge these limitations and are committed to improving accessibility where possible. We continue to explore ways to make our programs more inclusive and encourage you to reach out if you have any questions.

Other Additional Needs

Should you, or the person you are enrolling for, have any other additional requirements, please include these details when booking. Should you wish to chat to one of our friendly team, feel free to contact Reception on 9432 9555 or email ArtsCentre@fremantle.wa.gov.au to discuss any individual needs.

Tutor Vanessa Lombardo

Vanessa Lombardo is a visual artist based in Boorloo Perth. Vanessa uses varied techniques developed over her years of practice including pen and ink, copper etching, screen printing, painting, collage, and digital printing. She has a fascination with the natural world. Through her art making she investigates human interaction, adoration, and decimation of indigenous fauna and flora.

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